A Nice Pair.
More combo’s today, with this excellent team-up sent in by Rogerisnotahipster.
“First and foremost is my Epiphone Les Paul custom pro, and second is my brand new Orange 50w bass combo amp.”
A Nice Pair.
More combo’s today, with this excellent team-up sent in by Rogerisnotahipster.
“First and foremost is my Epiphone Les Paul custom pro, and second is my brand new Orange 50w bass combo amp.”
Perfect Corner Of The Room.
Kepttheskin was kind enough to send us this shot of a few of his newest toys, saying;
“MIJ 02/03 Fender Jazzmaster. Love the painted headstock! Mick Brierley is making me some pickups right now modeled on an original Jazz set with a bit more output on the bridge to replace those Strat-style things made by Fender Japan. I highly recommend this guy, he gives you a choice between grades of alnico magnet, asks a LOT of questions to ensure he knows what would be best, and will not rest until he’s made the perfect pickups for you. Every set is custom!
Fender Hot Rod Deluxe. I love this amp. I hear stories about some unreliable ones out there but this one has yet to fail me. Clear, crisp, and LOUD. Traded a JCM2000 for it, talk about an upgrade!
Lovepedal High Powered Tweed Twin overdrive pedal. This is a strange (and beautiful) beast. Modeled on a vintage tweed, it doesn’t cover your mistakes like a normal OD, but instead keeps your playing perfectly transparent and will take you to Rolling Stones heaven.”
2012 Epiphone 1962 Anniversary Sheraton.
Here’s Joe Coombs with a beautiful set up which he describes as starting first with the Sheraton ”which goes into a TC Electronic Polytune > Visual Sound Doubletrouble > Electro Harmonix Stereo Pulsar > Tone Americana Spring Reverb and from there to a 2004 Fender Bassman 59 Reissue.”
The Double Trouble is a very nice addition to the setup, love that pedal!
Gibson ES-335. And Fender Stratocaster. And Amp Porn
A rather special pair for you good, good people today, thanks to Phildobbin!
“1967 Gibson ES355 TDSV & 1996 50th Anniversary 1954 re-issue Strat with a Fender Blues Deluxe modded with ‘60’s Mullard ECC83s, 1940’s RCA 6V6s & a Jensen C12N.”
I can’t look away…
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